The Southeast Symphony Orchestra’s Message Is Simple: The Classical Music Experience is Our Experience Too
Earl Ofari Hutchinson

Despite what some mistakenly think, classical music is our experience too. That’s the black experience. For six decades, the Southeast Symphony Orchestra in Los Angeles has had this ambitious goal: to nourish the classical music experience among African-Americans, provide a venue for artists and musicians to play and for audience’s to learn and enjoy classical music, as well as to train the next generation of young African-American classical musicians. The orchestra under the direction of nationally renowned musicologist, conductor and concert artist maestro Charles Dickerson will hold its 60th anniversary season closing concert on Sunday, July 20 at 3:00 PM at the Walt Disney Concert Hall with a powerhouse afternoon of American classical music gems. They include Gershwin’s American in Paris, Rhapsody in Blue and Porgy and Bess. The program will feature some of Los Angeles’s renowned black virtuoso performers.
In spite of the symphony’s phenomenal work over the years to deepen the experience of classical music among blacks, there’s one comment that has always stuck with me when the subject is classical music and African-Americans. A couple of years ago when I mentioned that I would attend a classical music performance at a local concert hall, a good friend snapped who, you and three other blacks. She did not mean to offend with her quip. In fact, we both laughed at it. But underneath the pithy and dismissive retort, lay a world of misunderstanding, ignorance, and flat out rejection of the towering, but largely ignored role and importance of blacks in the world of classical music. Put bluntly, far too many blacks still regard classical music as exclusively a white European music form. Or put even more bluntly, many sneer at it as white man’s music that has no relation to the black experience. Nothing could be further from the truth.
African-American Heritage in Classical Music (AfriClassical.com) lists 52 composers, conductors and instrumental performers - Africans, African Americans and Afro-Europeans spanning five centuries. These artists are unknown to most of us, yet are so numerous the web site can present only a fraction of them. They have made enduring contributions to classical music. Several have composed, conducted and performed classical music. Le Chevalier de Saint-Georges (1745-1799) of Guadeloupe is one of those multi-talented musicians. Cuban classical guitarist Leo Brouwer (born 1939) is another. Over 100 sound samples can be heard at the Audio page and at the biographical pages on the web site and others.
Classical musical world giants Ludwig Van Beethoven, Antonin Dvorak, Camille Saint Saens, Maurice Ravel, Claude Debussy, George Gershwin, Leonard Bernstein, and others have either befriended black classical music artists or incorporated jazz, spirituals, and/or African rhythms in their compositions. Living legend Wynton Marsalis has virtually made a second career in music recording Haydn, Teleman, and other classical music composers trumpet concertos.
The numbers of black singers, dancers, symphony conductors, and virtuoso performers that now regularly grace the symphonic, and Opera hall and ballet stage today is legion. The number of black symphonic groups has increased nationally.
Dickerson, and the dedicated board members and core of loyal patrons of the Southeast Symphony, have labored in the shadows for years to fund and sustain the orchestra and its community outreach programs. It’s strictly been a labor of love, in this case driven by their profound love of classical music and the belief that classical music can enrich the black community and the lives of those that hear, enjoy and play it.
Fulfilling the mission hasn’t been easy. Southeast Symphony does not get the mega foundation or corporate dollars that the big, prestigious, and deeply endowed philharmonic orchestras receive. It must rely on small donations to maintain and grow their efforts.
The July 20th gala concert is the way to help them.
But this is more than a concert. It’s a statement that African-Americans have been and will continue to be in the pantheon of the classical music world. It’s a bold declaration that the black experience has been and continues to be a vital, dynamic, and profoundly enriching part of classical music. The orchestra fully intends to make sure the world knows that.
The Southeast Symphony Orchestra’s message then is simple: The classical music experience is our experience too.


See you at the Walt Disney Concert Hall Sunday July 20th.

Ticket Information: 323-293-7372 310-973-2488 310-519-1806

Earl Ofari Hutchinson is an author and political analyst. His new book is The Ethnic Presidency: How Race Decides the Race to the White House (Middle Passage Press, February 2008).